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Lessons From Klose, Baermann |
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Hyacinthe Klose. Carl Baermann.
Names, as a clarinet
player, you need to know. From James Snyder, the Clarinet Guy. |
Multiple Tonguing |
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In a previous column I
discussed single tonguing,
using the syllables “t” and
“d” to start the note. This
article will discuss double
and triple tonguing. From jazz trumpeter Chase Sanborn. |
“Flam”- Boyant |
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Flam rudiments are the
most complex rudiments
facing a marching percussionist.
They are challenging
to play and even
harder to master. A random
person on the street may
not even be able to tell
the difference between tap
drags and flam drags. So
why should you care about flams? From percussion instructor Lane Armey. |
Showmanship: Write It In |
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The best performers are
those who take the leap to
rehearse expressive qualities
with every run-through. But
let’s be real. When you’re
first starting out, that’s
easier said than done! The
key is to approach your
expression just like the rest
of the elements of your show. Write it in! From Catina Anderson, founder of www.colorguardeducators.com. |
Halftime Magazine®, a bimonthly print publication and online community, presents the sights, sounds and spirit of the marching arts, providing education, entertainment and inspiration for students, directors, alumni and fans of high school marching band, college marching band, drum corps, color guard and winter guard, indoor drum line or percussion, and all-age ensembles. |
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